Historical texts
Year | Texts | Contexts |
1920s | Ø Katherine Anne Porter, “Maria Concepcion” (1922), Flowering Judas (1930) Ø William Faulkner, The Marble Faun (1924), Soldier’s Pay (1926), Mosquitos (1927), Sartoris (1929), The Sound and the Fury (1929) Ø John Crowe Ransom, Here Lies a Lady (1924) |
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1930s | Ø William Faulkner, As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936), “Barn Burning” (1938) Ø Southern Agrarians publish I’ll Take My Stand, by“Twelve Southerners” Ø Zora Neale Hurston, “The Gilded Six-Bits” (1933), Jonah’s Gourd Vine (1934), Mules and Men(1935), Their Eyes Were Watching God (1937) Ø Margaret Mitchell, Gone With the Wind (1936) Ø Katherine Anne Porter, Noon Wine (1937), “Pale Horse, Pale Rider” (1939) Ø Richard Wright, Uncle Tom’s Children (1938), “The Man Who Was Almost a Man” (1939) |
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1940s | Ø William Faulkner, The Hamlet (1940), Intruder in the Dust (1948). Ø Richard Wright, Native Son (1940), Black Boy (1945) Ø Eudora Welty, “Petrified Man” (1941), The Robber Bridegroom (1942). Ø Zora Neale Hurston, Dust Tracks on a Road (1942) Ø Robert Penn Warren, “Bearded Oaks” (1942), All the King’s Men (1946). Ø Katherine Anne Porter, The Leaning Tower (1944). Ø Tennessee Williams, The Glass Menagerie (1945), A Streetcar Named Desire (1947). Ø The Portable Faulkner, ed. Malcolm Cowley (1946). |
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1950s | Ø Flannery O’Connor, “Good Country People” (1955) William Faulkner, The Town (1957), The Mansion (1959) |
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